Peter Pan - J.M. Barrie
Friday, February 9th, 2007I gave you the cookbook, but I forgot to return with the novel. My excuse is that I’ve developed a pleasant and mild case of flu. Well, it’s not that pleasant, but it is quite mild and I am dealing with it. I kept wondering where all those aches and pains came from.
I always think of children’s books as having lots of food. I think of Billy Bunter and Harry Potter, The Famous Five and the Redwall inhabitants. All very fond of a good meal. The books they star in feature some very memorable foodie moments.
Peter Pan isn’t quite so foodie. The table of contents gives no indication that children eat. The landscape of titles is littered with fairies and mermaids and pirates, but no banquets or feasts.
The first mention of food in the book is in terms of accounts - “at first she kept the books perfectly, almost gleefully, as if it were a game, not so much as a brussels sprout was missing; but by and by whole cauliflowers dropped out, and instead of them there were pictures of babies without faces.” Food is an aspect of householding. It has no inherent joy.
Alas, food remains in householding for a while thereafter and returns to it again and again. Milk is something that leads to poverty, because it means money spent or it is something that children must drink. Coffee gets cut to help pay the costs for a baby. This may be a very real description of life in the lower middles classes at that time and place, but it’s terribly depressing.
Food is mostly prosaic, but not quite always. It can provide the significant detail that makes a scene, whether it’s a squabble over milk, or why stealing food from an eagle in flight won’t feed hungry children. What food is, however, is minor. It’s a part of the mechanics of bigger things. Barrie is a clever enough writer not to dismiss it entirely, but the focus of the novel is on mysteries and magic and relationships. Not food.
I can see why he does this. If food were a focus, then what would lure children to Neverland?
There’s enough food to bring us into the story with the taste of things (Nana drinking the milk-coloured medicine is very much a scene that depends on taste) but the joy of eating is almost always absent. The first moment when eating is a pleasure is when John crows about his nippiness in taking some food from an eagle’s mouth.
The joy of cooking doesn’t exist at all. The closest to joy in cooking is when Hook cooks “a large rich cake of a jolly thickness with green sugar on it.” His joy is in the thought of making the Lost Boys sick, rather than in making that large rich cake. More functional food. Even this cake reaches an ignominious end: Barrie sums up its fate in one unadventurous paragraph, quite a bit further on. It’s as if he lost interest in its story.
When Barrie maps the glories and mysteries of people’s minds, early in the book, the only food that appears is chocolate pudding. This says much. The thing about J.M. Barrie, though, is that his writing leaves room for the imaginations of others. His dim and dull view of food isn’t mine, and re-reading Peter Pan makes me dream.
Right now my head is entirely filled with a vision of Tinkerbell as cook. She would be the type of grand chef capable of throwing pots and pans and burning down kitchens. She would be impossible and magnificent. But what dishes would she make?









